FOLLOWING LITERARY TRENDS...

Okay, one of my readers had a dig at me early this week; saying that though “Sir, you are doing a great job for reading and appreciating literature; but you generally paint a rosy picture…why don’t you just say it bluntly that in our society a lot still has to be done to boost literacy and literature?” Well, there it is folks. There are many shades of the truth; but this particular reader has a point. Whilst we are pleased with the progress being made in the Free State as regards creative writing and criticism, we are still far from being the real deal. Some might ask – what is the “real deal”? Perhaps it can be better put by saying: what standards should we be striving for? International, or relative standards? Internationally, the ideal is that the average reader regularly (let’s say once a week) takes a trip to bookshops and takes in the new books on display and buys at least one or two. In our own context, the reader buys the latest South African book(s) just published. Reviews play a very important role here; else, how do we know about the new books on display? Recently, the great African writer Chinua Achebe released his latest book at the age of 82; and many would want to purchase the book thanks to contemporary reviews. That’s part of the ideal. As proud South Africans we can say: I must buy the latest books written by our renowned writers. Hence if we hear that the likes of Gomolemo Mokae, Zakes Mda, Nadine Gordimer, Vonani Bila, Aryan Kaganof, Siphiwo Mahala (reviewed here in this column a fortnight ago), Njabulo Ndebele, etc have released a new book, we might decide to buy copies. Or if a new author – buoyed by great reviews in the media – has a new book out; we’ll want to buy the same! But that is the ideal. The reality might well be different. For example new books, by black authors we can relate to, come out once in a blue moon (many of our authors might not even come out for years) then there are economic considerations. Can we afford to buy new books EVERY week? Or even every month?... But as lovers of books, the least we can do is try to keep up with local and national trends! * From "The Bookshelf" Column, by K.A Motheane published in Free State News, December 7 2012 IMAGES: Some books published this year (2012): There was a Country (by Chinua Achebe), Tebogo and the bacchae (by Omoseye Bolaji) and African Delights (by Siphiwo Mahala)

Phinithi to the fore!

The history of what many call “Black Literature” in Africa can be very fascinating; from the period our writers began to make their mark and become respected to a worldwide audience (around late 50’s to the 60s) This was the time the likes of Chinua Achebe, Wole Soyinka, Es’kia Mphahlele etc were rather young men. What is interesting is how, even in those early days these great writers were able to help each other, unearth new talent. By the mid sixties for example Chinua Achebe was already world famous, and the editor of Heineman’s African writers series. He met Ngugi wa Thiong’o who respectfully handed him one of his manuscripts to read. Achebe read it and recommended that it should be published soonest. Thus was the career of the great Ngugi launched. Yes, we know at that time, African writers were few and far between, but they still emerged on a regular basis; decades later even in the Free State here, promising writers continue to emerge, encouraged by the established ones. Hence nowadays we see talented writers or critics like Pule Lechesa, Raphael Mokoena, Hector Kunene etc confessing that their literary careers received a major boost after meeting a giant like Omoseye Bolaji. That is the way it should be. The Bookshelf was thus delighted over the last few weeks to get confirmation that a “new” literary genius has emerged in the Free State, namely Phinithi Ntelekoa. Of course the young man has been writing for many years, but it is only now that his great talent, and some of his work, is coming to the attention of those who really matter. And he is being encouraged! It is always unwise to over-praise a new talent, but it seems to be agreed that Phinithi is set for greatness judging from samples of his work, an interview now on the internet (part of it reproduced in this paper recently)…in fact the lover of literature is advised to read the full text of the interview with Mr Ntelekoa on the internet and judge for themselves. There are also other samples of his work we have read, and one cannot but be excited over such a talent. Personally I think Phinithi’s writing and diction is too elevated at the moment, and would appeal only to a few highly knowledgeable men (and women) of letters. If he is going to have mainstream success as a writer, I think he should work on writing in a more simple manner, like poet Denis Brutus did long ago. But then again, should Phinithi sacrifice his natural ‘difficult’ style for more acceptability? Such are the posers that make literature interesting! (From The Bookshelf Column; Free State News. Nov 30, 2012). By KA Motheane)

Mbali Press edition of Ishmael Soqaga's book

Mbali Press edition of Ishmael Mzwandile Soqaga's study on Bolaji. Design and lay-out by Phinithi Ntelekoa

MBALI AWARD WINNERS (2012)

George Rampai – Winner, Author of the Year Ishmael Mzwandile Soqaga – Winner, Promising newcomer of the year (Above, with his Certificate) Kgang Abel Motheane – Winner, Commentator on Literature Award Lifetime Achievement Award - O Bolaji

MBALI LITERARY AWARDS

The Mbali Literary Awards take place tonight (Nov 16th 2012) at Clocolan. Organisers announced this week that in addition to three other categories, a Special Lifetime Achievement award will also be dished out. SHORT-LISTED FOR AWARDS… Book of the year category: Free State of mind (by Jah Rose Jafta, Rita Chihawa) From where I stand (by George Rampai) Landscape from within (by Seipati Thomas)... Writers/Commentators on Literature category: Paul Lothane Kgang Abel Motheane (The Bookshelf column) Tiisetso Thiba... Promising newcomer of the year category: Sam Mothupi Mayibongwe Mpanda Ishmael Soqaga

“Literature is healthy in the FS” - Soqaga

Writing at grassroots level in the Free State is very much thriving, with new literary gems discovered on a regular basis. This is according to Ishmael Mzwandile Soqaga, author, essayist and pan-africanist. “To be honest the high standard of literature in the province is extra-ordinary,” Soqaga told Free State News this week. “We have works of fiction, superb literary critics, drama, and of course so many poets have been produced over the years,” Mr Soqaga himself is a new author having published his book, O Bolaji: a voyage around his literary work, this year. The literary world has been taken by storm by the general approval and acclamation of the work. The author (Soqaga) says that the success of the book has surprised him. “It was good to have such a fine (literary) debut,” he said. “But the thing is not to rest on my laurels. I am already working on my second book which would be even more Afro-Centric. One of the things that pleased me most about my first book is that the Northwestern University (USA) – which boasts the largest collection of Africana works in the world – praised my book, and it is now in their collection” And how does Soqaga feel having his work shortlisted for the glamorous Mbali Literary Awards? He says: “It’s a nice bonus but I am not thinking of actually winning,” he said. He added: “Writers should not get carried away after publishing a book or two. There are outstanding African writers who have published 20, 30 books or even more, and still have their feet on the ground. I will be highlighting this in one of the chapters of my new book,” the modest polemicist rounded off. - Raselebeli Khotseng * First published in Free State News October 26 2012 edition

DR COOL !

Wordfest showcased alongside MACUFE

The comprehensive three-day event had a line-up of excellent wordsmiths, bards, poets and literary activists. They included Mongane Wally Serote, Flaxman Qoopane, Mathene Mahanke, O Bolaji, "Magic" Raselebeli Khotseng, K.P.D Maphalla, Pule Lechesa, Skietreker,Charmaine,"Dr Cool" among many others. Enjoy the pics above!

THAMSANQA JOB MZAMO

History continues to record the steady progress made in the Free state in the genre of poetry at grassroots level. In the early days the likes of Gilbert Modise, Qoopane, and Mzamo were pivotal. For many pundits Thamsanqa Job Mzamo was - is - in a class of his own as a poet. His sheer passion, his commitment to verses, his syntax, imagery, effortless rhymes - all stamp him out as a great poet.

His book, Pride of my heart was published in 2001. It was also formally launched in those days, a media occasion that attracted, and was covered by etv television. Mzamo's work has got to the highest stage, caterpaulting him to international recognition - his book of poetry has been digitised by American universities, and can be consulted anytime by researchers anywhere in the world. This is another boost for African, and Free state poetry. For the quiet, immensely talented Mzamo, it is reassuring that his poetic legacy is rock-solid. REFERENCE Thoughts on Free State Writing (2002). By Omoseye Bolaji

New Book about Bolaji

Ishmael Mzwandile Soqaga, the well known Bloemfontein based essayist, Pan-Africanist, critic, esssayist and intellectual has published his first book, titled Omoseye Bolaji: A voyage around his literary work. The book is the latest in a number of book-length studies published on the fecund writer, Omoseye Bolaji. Soqaga told Mangaung Issue: “I am happy the book finally came out at last. Bolaji has inspired so many writers and built so many of us with his powerful, diverse books.”

Mr Soqaga also disclosed that he had been working on the book for up to five years. “The protagonist in question (Bolaji) has published so many books and it is not easy to comprehensively evaluate and criticise them all. In the end I focused on about five, six of the books; with a general Overview” Meanwhile, critics and pundits are already hailing this new study across the board, likening it to renowned international studies on African writers over the years published by the likes of Gerald Moore, Dr Adele King, and Robert Fraser. But Soqaga himself humbly refuses to get carried away with all the praise. “I do not think my attempts can be likened to works churned out by those illustrious writers and critics,” he says. “But I am very flattered to even be mentioned in the same breath as such people. The reviews of my book I have been reading on the internet have all been very positive so far,” Literary critic, Pule Lechesa expressed delight over the publication of the book. “It’s great to see a book of real quality again,” he said. “Soqaga’s new book definitely adds cubits to the corpus of African critical writings. He took his time over the work and it shows,” - Report by T Masakala. First published in Mangaung Issue, 29 August 2012 edition. Page 6

OMOSEYE BOLAJI: A Voyage around his literary work. A new book by Ishmael Mzwandile Soqaga

Excerpts here: "Yes, unashamedly I am Pan- Africanist who believes in Pan- African ideology, if then our forefathers were fighting for liberty of life therefore I must assert my opinion very sharply without favour or fear. I am born of African descent being raised in the continent that once experienced unfairness of life and suppression from other races and creed. I am the descendant of Khoisan, Xhosa, Sotho, Zulu, Yoruba, Shona, Tswana, Berbe etc. I am African and I do believe that’s how I must be perceived! I discern it as a rather intricate exercise to write about the author of many books such as Mr. Omoseye Bolaji, son of the late Mr. Simon Labanji Bolaji who also was an excellent writer. Is it a coincidence to know how Bolaji is connected with black literature? Although a superb and scintillating writer, I know he does not really believe in segregating literature or writing generally; as can be seen from the magnificent mixture of Eurocentric and African writings in his international columns. For a long time, Bolaji the writer has been a literary catalyst, a champion of literature who is involved in spreading awareness. As I write this, I am so delighted that a film documentary has been made about the great man. As a matter of fact I have been researching Omoseye Bolaji for some years now; but it has not been easy. It was actually a complicated task for me because I didn’t have a clue where to start considering his versatility, and the copious studies already published on him. I started as early as 2007,and meanwhile, a young writer like Hector Kunene was able to put together a solid book on Bolaji (2010) (Omoseye Bolaji: a voyage around his literary work - is a new book by Ishmael Mzwandile Soqaga)

I AM A RAPE SURVIVOR, NOT A VICTIM!!

Six years ago I got raped! This occurred at what was suppose to be at secure environment (at school to be precise) and all I could say then was; dreams which seemed to be coming true were shattered within a blink of an eye. This incident was never known till this point of sharing it with you. Perhaps I was too alarmed even confused. "Who would believe me?" I pondered in my thoughts, but, regardless of how I was feeling, the main reason which prompt my silence is that I was (and still) uncomfortable of how people would claim me as being a victim. I asked myself, "who is going to claim my survivorhood instead of my victimhood?" What happened to me can be viewed from many aspects. My story is one of forgiveness Claiming your worth Letting go of past incidents and holding on to the hope of tomorrow or however you might perceive it. What I learned from this experience might sound like a cliche but it's actually the truth. 1. I took 6 years to break the silence and forgive whereas I was oblivious to the fact that; forgiving your perpetrator will be like taking off a painful pair of shoes after walking in them the entire day. I don't know the anything about the two male persons who took away my innocence, but I know that nothing weighs heavily upon progress than a heart filled with grudges. Many are trapped in the prison of grudges due to people who have caused their lives to be a living hell. Grudges rob you of your sanity as you approach different stops of your life. 2. Letting go means I can look towards my future and new possibilities, hence rape is not me but it happened to me. Sipho Mnyakeni says: "my sisters, you are still in line for your personal greatness Seize it, Your future depends on you, Size it, Self-pitying is self destructive, Cease it, As the incident seeks to finish you Your will to survive will sustain you You are not defined by it You are greater than that ; I wish you could see what I see in your eyes, Hope lives, The future is safe, You are still in line for greatness SEIZE IT! Turn to the mental field of your youth Play again dream again believe again live again" 3. If you are still breathing then God hasn't given up on you. Your occupation is to persevere and your promotion will be victory. We all have the ability to see the brighter picture in our dark experiences. Break the silence and claim your survivorhood. This article is for all those women who have been denied the platform to say: "I was raped!" I know you. I feel you. I, too, was raped. And rape is NOT us. It just happened to us! By Reitumetse Mokhoantle

TOURISM CAN BE A CRUEL INDUSTRY By Mfundo Ngcangca

New book by Mfundo Ngcangca The tourism industry is one with many opportunities for entrepreneurs and the unemployed. It is well supported and encouraged in South Africa, but myself I decided to write a tell – all book about the pitfalls in the industry. Born and bred in Sterkspruit, today working for the Department of Economic Development, Tourism and Environmental Affairs. I felt the need to put pen to paper when I noticed a growing trend within tourism. People have turned to be selfish. Fewer are sharing the big cake which is tourism. This multi-faceted , money spinning industry continues to hold many in its thrall. But instead of the tourism becoming full of employment opportunities which could grow in multiple directions, I noticed companies working alone instead of together. Certain sectors do not want to share with others, now the industry becomes cruel and affect all of us. For example, people in the transportation or hospitality sector want to own everything without utilizing or outsourcing other emerging entrepreneurs. Entrepreneurship is important to the growth of the tourism industry at large. It will present benefits for the individuals as well as the local economy. But operators are not interested in helping each other as well as the industry at large to grow. We are facing a situation of those who are trying to make a living from tourism industry but are affected by issues of xenophobia and in-sector fights. I want people to realize the industry is not an easy one, especially if one does not work hand in glove because it affects a lot the emerging ones. People must start synergizing aggressively, help one another to get lot of information and start marketing their products forcefully. The book entitled Tourism Can Be a Cruel Industry, is aimed at those who are interested in the industry , and especially those considering a career in tourism. Those who are interested in a book can always go to this website: www.newvoices.co.za

Paul Lothane gives his 2012 mid-term report on FS black literature

And here we are again, mid-term into the current year! And how has literature fared so far? At the end of last year I wrote a review of the literary trends in the Free State. I was happy to see my piece reproduced in other blogs, newspapers, and a particular overseas journal. This encouraged some to say to me - why don't you write another short piece on the first part of 2012 thus far? It must be made clear that I am only interested in what can pass for real literature - not books on religion, motivation, or massaging a puny ego. I have in mind works of fiction, poetry, or literary essays. Hence Pule Lechesa must be commended for the publication of Essays on Free State Black literature early this year. Suffice it to say that the work is world class. Early in the year Omoseyi Bolaji also published the 8th in the Tebogo series, Tebogo and the bacchae. As one would expect, countless excellent reviews and critiques of the book have appeared in many parts of the world already. The book, Free State of mind has also been a critical success. The poetic work is the brainchild of Nthabiseng JahRose Jafta, Rita Chihawa and Lebo Leisa. It is a great achievement that the book has attracted positive reviews from literary figures like Bolaji, Hector Kunene, Mathene Mahanke, Napo Masheane, Sabata Mpho Mokae, Mpikeleni Duma, etc George Rampai did very well to publish the novel, From where I stand. I have seen the book, and on a personal note it would be my choice for book of the year. But that is neither here nor there. Teboho Masakala also did well again to publish another work of fiction, The fall of Marcus Desmond - apparently another grim work ending in a reprehensible death. Thus far this year, I have not seen any sweeping, awe-inspiring, literary articles, although honourable mention can be made of three excellent book reviews – Lechesa’s review of From where I stand, and his review of Tebogo and the bacchae. Also, Mathene Mahanke’s appraisal of Free State of mind. We’ll see how the rest of the year goes... - P Lothane

XENOPHOBIA - the bugbear!

By O Bolaji Xenophobia. That is a word often uttered with bated breath by so many in South Africa. How do I feel about this, especially as a Nigerian, since apparently there is a strong bias against Nigerians by many? On a simplistic level, a genuine writer at heart cannot be xenophobic. Writers are generally broad minded, “citizens of the world” and click amidst each other immediately; eg SA writer Flaxman Qoopane’s closeness to me for decades. For years I have been what you might call a honorary member of many S.A writers’ families and houses, like the Mafikes, Motheanes, St George Vis, Lechesa, Rampai, Thaisi, Kunene, Nthejanes; and many others including white S.A writers. Actually, when people like me first came to live in S.A there was no xenophobia. I was given good, cheap accommodation in the townships from the outset, bed, furniture, regular gifts of food, provisions, and sometimes beer! (Laugh). Everybody wanted to be one’s friend and they were only too ready to help with small problems. I believe it is a fringe minority that revels in xenophobia, and not necessarily illiterates. I remember during the heart of the xenophobic attacks a few years ago, a simple man, seller of onions, oranges, etc threw his arms around me, crying. “I am ashamed of all this attacks my brother,” he said. “How can my people do this? We are not really like this.” Another guy that I used to meet occasionally at an eatery, wept buckets when he saw me. He cried so much that I was very worried and embarrassed. Then after a long time he told me this issue of xenophobia was breaking his heart... The thing is, if there is the perception that certain foreigners are involved in crime and nefarious activities, or specifically Nigerians, then the thing to do is round up such miscreants and lock them up; don’t tar everybody with the same odious brush. There are many criminals in South Africa, but that does not mean ALL the people are crooks! These unfortunate things are always perpetrated by a minority everywhere. It might well be that over the years, I have had another advantage that people have seen; that essentially I am a simple, fairly honest man, dedicated to arts. I have appeared in newspapers, magazines, countless times. Even those closest to me over the years, including more comfortable writers who visit me wherever I have stayed, become shocked when they see I hardly give a jot about material things, unless they are complements to writing and reading! Hence I have been flooded with gifts of computers, lap tops, phones, satellite TV etc over the years by South African artists of whatever colour I have stayed in the SA townships for many years, surrounded by love and respect, and that is the truth. People always come and tell me the latest stuff they have read about me from the media or internet. I remember a couple of years ago, a white journalist who was visiting me in the township was shocked to hear many young little boys and girls shouting – “Omoseye! Omoseye! This is Omoseye!” So at heart, from young ages people are often ‘good’ and friendly, though prejudices like xenophobia might afflict a few of them later on...

FILM DOCUMENTARY TO BE MADE ON BOLAJI

A special documentary is to be made covering the literary feats and galvanic achievements of outstanding writer Omoseye Bolaji. The renowned Big Fish School of filmmaking, via the award winning Little Pond production, in Gauteng is orchestrating the documentary, in their special documentaries on provincial artists and authors. Winnie Mokhomo of the film-making firm says: “I saw all Mr Bolaji’s books and read every book review about them on the internet. And there are two aspects that caught my eye and I was interested to include them in the documentary, which is “People of the townships” and the Tebogo Mystery” series. The documentary will include the literary journey of Bolaji, reaching a crescendo when he was honoured by both the UFS and when he garnered a major Chieftaincy title; and also about the books of the celebrated author. Winnie added: “The documentary will also be about how Bolaji has inspired many people and his role in the community. It’s obvious that he has had a great impact in the community because of his achievements... it would be a great honour to do this documentary about him”. The script for the documentary is already being fine-tuned in Johannesburg, after initial trips to Bloemfontein by the documentary team to talk to Bolaji and other key literary figures in the province. The pivotal role played by the FS Provincial Library system will be highlighted in the documentary. Also expected to feature in the documentary are key FS writers like Lebohang Thaisi, Flaxman Qoopane, Pule Lechesa, and Hector Kunene Pule Lechesa, who has been liaising with the documentary team said: “It’s exhilarating times again...it is no longer news that FS Black literature is world famous with literary protagonists always checking on what is happening here. Omoseye Bolaji has played an extraordinary role in this miracle over the years and it is gratifying that this special international documentary will mainly focus on him,” Bolaji’s celebrated books over the years include Impossible love (2000), The ghostly adversary (2001), Thoughts on FS Writing (2002), People of the townships (2003), Molebogeng A Mokhuoa (2004), The subtle transgressor (2006), Tebogo and the haka (2008), Tebogo and the epithalamion (2009), Tebogo and the pantophagist (2010) and Tebogo and the bacchae (2012)

FREE STATE OF MIND

This book of riveting poetry is available@ Beija Beija store-Waterfront-Bloemfontein-1st floor next to Woolworths priced@R200

THE GOOD BLACK MEN OF TODAY

By TUMI MOKHOANTLE As a young black woman I live within a disenfranchised and stereotyping society which has painted the average black as "ARROGANT." And I hereby confess that I believed this concept, especially as a feminist I would go as far as referring men as foolish. According to statistics the average black man is either in jail, sires and then abandons his family, gets drunk on the street corner, rapes old ladies and violates. "Black men are absolutely foolish!" As this rolled off my tongue, something forcefully reminded: My mentor is a black man My brother is a black man My uncle is a black man My president is a black man My God is *The* Man In other words am I saying that they, too are foolish and arrogant? Actually these men, have built civilizations and made remarkable discoveries which continue to influence the world as we know it today. They are well educated, socially astute, dedicated to their communities and lead by telling the truth and taking responsibilities for their actions. I was humiliated by the statement I made. I have watched black men all my life and as a black woman I thought I had the right to say so. While I have watched them I've also admired them, cared about them and most respected them, therefore why would I admire a foolish person? And why do I sound like the racially charged media? Why do women spend so much time trying to impress and allure people refer as arrogant? Let me tell you what I know about men. In the beginning men were created in love. Anyone who takes time to make a close examination will discover that men are hard-working, good to their wives and they are family-conscious. They are individuals who are striving to reach a goal and realize a dream. We forget about the police officer, accountant, plumber, businessman and postman. The impact of always thinking wrongly of you has depleted your desire and ability to live consciously according to your true nature. Man! We (women) stand in reverence of you. You are not dogs, dangerous, or disgraceful. We need you to continue protecting us as well as taking charge...

GEORGE RAMPAI STUNS LITERARY WORLD

By TEBOHO MASAKALA The literary world is abuzz again with excitement following the publication of a new novel titled From where I stand by George Rampai a Ladybrand born novelist. Rampai is the first black novelist to emerge from Ladybrand in the Eastern Free State, noted for some critical essays over the years, Rampai has now released his first novel from Where I stand. “I am very proud of Ladybrand my home town, I was born there and lived all my life there, I know it inside out, I am so happy my novel is based on vibrant Ladybrand” Rampai Told Mangaung Issue, Rampai said that he has loved African literature from a young age and learnt the value of libraries and read many books penned down by African writers like Kalu Okpi, Chinua Achebe and late South African writer Eskia Mphahlele. George considers Omoseye Bolaji’s People of the townships novel as one of his favourites as Bolaji writes with zest, authenticity and humour. Reading books written by Free State Authors such as Flaxman Qopane, Pule Lechesa and Omoseye made Rampai resolve to publish his debut novel. With his powerful novel from where I stand, Rampai himself is now the toast of the literary world. Pule Lechesa, a respected celebrated literary critic described the new novel as "ravishing and majestic". * First published in Mangaung Issue, May 9 2012 edition

GEORGE RAMPAI'S FROM WHERE I STAND

DANNY'S WEAKNESS FOR WOMEN COOKED HIS GOOSE!! BOOK: From where I stand (novel) AUTHOR: George Rampai PUBLISHER: Mbali Press (PTY) LTD LAY-OUT ARTIST: Thabo Ntai

ZONG READING IN SOUTH AFRICA

Book-length readings of the monumental poetic work, Zong!, took place in South Africa earlier this week. Zong was written by the acclaimed Canadian author, NouberSe Philip, and readings from the work were done simultaneously in Canada and South Africa

(Above) - photos from the event!

EXHILARATING READING FROM 'ZONG' IN SOUTH AFRICA

Excitement is mounting in Bloemfontein, South Africa, as a book-length
reading of celebrated Canadian academic and creative writer, NourbeSe
Philip's work takes place at the City library.

Of especial interest is the fact that this African reading will
take place simultaneously in Africa whilst a similar reading is taking
place in Toronto, Canada with the protagonist and author present.

NourbeSe Philip was born in the Carribean Woodlands, Moriah, Trinidad
and Tobago. She was educated at the University of West Indies. She is a world-acclaimed poet, novelist, playwright, essayist and short story writer.

It is her recent work Zong!(2008) which will be at the epicentre of
global interest on Monday 16 April as a cross-section of the literary
fraternity in South Africa converges at the Bloemfontein City Library
to bask in the reading from her exceedingly powerful extended poem (Zong).

The author, NourbeSe Philip is palpably excited over the reading in
South Africa. She said: "This reading is intended to remember all
those who lost their lives on board the Zong...I will be happy if
people are clad in white to honour Olokun, the Yoruba deity of deep
waters."

The celebrated writer also expressed her wish that the section titled
"Ebora" should also be read at the reading.

Charmaine Mrwebi of the Bloemfontein City Library, a young African
female author and essayist too, said: "We are very excited about this
poetic reading of Mme NourbeSe Phllip's work. She deserves plaudits for remembering
her roots despite being based in an Eurocentric environment. I have read
some passages from the internet on Zong and the work is not only
extra-ordinarily powerful and moving; but one cannot but cry over the
plight of slaves at that time, especially the disgusting and insanitary
conditions of our black female slaves in the horrific ship."

The book-length reading session will commence at 2pm South African time
and will roughly take place at the same time as the event in Toronto

INTERVIEWS WITH EFFERVESCENT WRITERS (Book Review)

The Bookshelf (Column)
With Kgang Abel Motheane

Book: Interviews with effervescent writers
Edited by Christine Mautjana

The Free State has done it again. The literary fraternity has been mightily impressed this week as the Province has a strong presence in a new national, international publication.

The new work is titled Interviews with effervescent writers. The editor is Christine Mautjana, the Mpumalanga based female literary activist and essayist. The book features interviews with writers, black and white, South Africans, and non-South Africans.

Remarkably, quite a number of FS based writers are featured in this new work, including Nmm Duman, Pule Lechesa, Jah Rose, and Hector Kunene.

This is a book that contributes greatly to South African and international literature. The interviews clearly reveal a general powerful love for the written word, with illuminating contributions from the likes of Aryan Kaganof, and award winning Teboho Letshaba.

Literary experts are already comparing this new work to two earlier African classics - African writers talking, and Talking with African writers. Yet this new book is much more up to date, and has literary allusions from all over the world. This columnist congratulates the FS writers who feature in this new, world-class work!

* Reproduced by kind permission of Free State News; March 30 2012 edition

INTERVIEWS WITH EFFERVESCENT WRITERS

Edited by Christine Mautjana

MY PEN IS A 'SOCIALITE' (2012) By Sheila Khala

By Dineo Mokgosi

Born in the beautiful mountainous kingdom of Lesotho, 22-year-old Sheila Khala is an adept poet and motivational speaker. She is a buoyant young woman already fulfilling her awesome potential. She has now launched her second book titled: My pen is a ‘socialite’

Khala launched her second book at a glittering function held at the swanky Cappelo in Bloemfontein. In attendance were local poets such as the likes of Hector Kunene, Dr Cool among others. The revelers were serenaded by the sweet melodies of Audrey Mifi, a 23-year-old songstress from Bloemfontein.

Her first book, Formula: “Leading Life to Perfection” was published at the tender age of 19, written as a sort of therapy for her after the death of her father. Her second book means so much more to her as she dedicates it to her late father.

Her proficient abilities have made her one of the youngest poets to perform at the Southern African Development Countries (SADC) Poetry Festival that takes places annually across the SADC region.

She has performed with the likes of Napo Masheane, Kgafela wa Legogodi, Lesego Rampolokeng and Tania Tome from Mozambique. She is a dynamic and prolific poet in every sense of the word.

As regards her second book, Sheila says: “Daddy I dedicate this to you, I promise to make you proud. Your death has made me a very strong woman. I miss you but God took you for a reason,” This sentiment is also discernible in her new book.

“This second book, I call it a ‘seed of faith, a vocation of manifestation’ because I went through a lot of trials and tribulations to have this book published. I went through some personal things and at some point I thought this would never happen. I had to leave certain people and let go of certain things to fulfill my dream. My dream had to happen”

Her favourite poems in the new anthology include: “Hope, destiny and love”, which she explains as the different stages that a person goes through in life; and “My Muti” which she explains as the authority, the voice of a woman, standing firm in your decisions as a woman.

She rates Napo Masheane as her favourite female poet. “She voices what she feels. She loves herself. She has self-confidence. She stands in her own character. I believe in women who stand for what they like”

Khala said her book is “motivation building, creating, a renewal of a new you... A new you that is encouraged to dream big, to generate all those dreams that were once lost.”

TEBOHO MASAKALA's "The Fall of Marcus Desmond"

Fecund...Teboho Masakala (above)

By Nthabiseng Lisele

Teboho Masakala has released his latest book, now ready and available on the book shelves! This prolific young man, who has now published three books, was born in Thaba Nchu.

The new book is titled “The fall of Marcus Desmond” and consists of 12 chapters. Teboho Masakala told Free State News: “The book teaches the society about the choices our parents make for us. As children we have our own dreams and need our parents to support them. But it seems many times they (parents) want to take our dreams and make them theirs.”

Hence his latest work is a kind of creative message to the parents to have an open relationship with their children and listen carefully to desires, ambitions and dreams from the perspective of the young ones.

‘The parents shouldn’t use their failed dreams as the future dreams for their children, because most of such situations end with a sad story”, the author, known for his penchant for tragic denouements in his work, warns.

“Parents shouldn’t take this book as an offence to them. I acknowledge their support and passion to help their children get the best they want in life, but at the same time they shouldn’t suppress their feelings regarding their dreams”, Masakala said.

Over the last few years Teboho has churned out works like Mind, Pen, Paper and Ideas (short stories) and Through it all (a novella).

Going down memory lane, Teboho recalls joining the Goronyane High School in Thaba Nchu, Free State, in South Africa in 2003. He read a number of books which fired his imagination. “I enjoyed the world of books; books for young people, and our African writers. I was also influenced by the writings of Bessie Head (Maru) and of Chinua Achebe; namely books like No longer at ease and The Voter. I also enjoyed reading some of the creative works of O Bolaji, who later published my first few short stories,”

He attended Selosesha Primary School in Thaba Nchu. “I was introduced to reading English books by my teacher and Principal, Kelopile Moletsane, who really did a lot in setting my feet on the literary path. Over the years I have enjoyed basking in books at the Selosesha Library in Thaba Nchu,”

On his latest book, The fall of Marcus Desmond, Teboho adds: “The children should also be respectful for the way their parents guide them regarding their career path and dreams. And they should be open to these people, no matter how old they can, they can teach you one or two things about life.”

The book is already available. If you are interested in the book you can contact Teboho Masakala on 078 124 5396.

SAINT GEORGE VIS ON FS WRITING!

Interview by Nthabiseng Lisele

Saint George Vis is one of the significant black writers based in the Free State. His books include First things First, The massive vicarious pleasure, among others. Vis is very passionate about the world of literature and writing.

How do you describe the growth of FS Black Literature over the years?

Well, describing the growth of FS Black Literature one cannot rely solely on the quantity but the quality of books published over the years and indeed, we have seen expansion, such as critical thinking, creativity, collaboration, communication from the FS Black authors which is exceptional. Briefly, just to scratch the ground let’s take for example, first, Nthabiseng JahRose Jafta with her sizzling poetry book in 2010, then Hector Kunene whom I fervently believe that he mastered the art of patience because when I read his poems he didn’t let his enthusiasm for his book and his excitement over actually finishing it drive the train – patience, self-control and discipline were his friends and finally Mpikeleni Duma one of the best writing I have seen in a long time especially from women’s perspective.

The growth of FS Black Literature had an impact on me personally over the years in a sense that my viewpoint has increased by being exposed to different cultures and lifestyles. I have learned to be sensitive to the problems of others which increase my self-awareness and worldview. I have also learned to appreciate other cultures and
ideologies that are illustrated in these captivating books penned by our own FS Black Authors. It’s like you gain a deeper understanding of the human condition and learn from the experience of others without having to actually live through the experiences yourself. But, I must be honest though, I would really like to see authors particularly in the FS writing in their indigenous languages and bring to the fore the richness and variety of traditions and culture, language and heritage especially authors writing in Setswana. The great author such as Bishop Gilbert Ngwaneso Moshoeshoe Modise had in fact strengthened pride in Identity and Culture by writing some of the luminous novels in Setswana.

Which books have impressed you most?

What a fascinating question. There are a handful of books I have read multiple times and plan to keep on reading because each time I see something more or different (Gilbert Modise is a perfect example). However, there are couple of FS writers who inspire my life and inform my work on various levels through their work. In many cases these writers tackle topics or write in genres far removed from my own. Quite a number have “mad skills” I could never hope to equal. Going back to the roots of historical fiction in the Free State, I deeply admire the work of the genre’s two prominent writers the late Bishop Gilbert Ngwaneso Moshoeshoe Modise and Chief Omoseye “Malome” Bolaji. Both clearly understood that story comes first in all fiction, including historical. They also wrote adventure stories and I love an adventure.

Do you think more ladies are coming to the party (writing)? Why
might they be reluctant to write?

Good question. Yep! I think over the years we have seen ladies such Nthabiseng JahRose Jafta, and recently NMM Duman who are putting their mark in the world of literature. But, I also had this question in my mind few years back and really it bothered me that our sisters don’t write and then I decided to ask one of the great scribes the Free State has ever seen, Mosidi Mohlakela and this is was she said “I think we lie to ourselves about why we can't write the book. We think our stalling is about lack of time, or too much pressure at work, or not enough solitude in the evening. But, guess what Chances are a deeper, darker reason may be at play, like I'm not supposed to be bigger than Mom' or what if this thing really takes off? We fear the impact our book could have”. I think one of the reasons why women might be reluctant to write could be the fear of the unknown.

Have you heard of the writer NMM Duman? Is she as great as they say she is?

Yes, I have. When I read her awe-inspiring article in Sowetan I thought to myself her book is all realistic, and perfectly plausible. One thing I learned and analysed about her (as a writer) is that when she writes, she put’s herself into the position of the characters and that is one of the rare and most powerful skill among our many writers.

What will your next book be about?

I am presently working on the second edition of my book titled: Victory through Christ and also I am working with other authors who are due to publish their works later this year.

TEBOGO AND THE BACCHAE

This is the Mbali Press edition of Tebogo and the Bacchae, written by O Bolaji. Book lay-out and cover by Thabo Ntai. Those interested in ordering the book can phone 071 8841214

Or email: pulelechesa@yahoo.com

Beleaguered Africa needs exemplary leadership

By Ishmael Mzwandile Soqaga

Certainly Africa has a colossal, chequered history to boast about, for long time
that this giant continent existed and received absolute recognition
from the great book the Bible, Quran, Greek mythology. Fundamentally,
it is fashionably known as the cradle of mankind.

From ancient times this beloved continent has a record of greatly impressive tales from the visit of Queen of Sheba to Jerusalem, the beauty of majestic
pyramids in Egypt, the famous first written language in the world
hieroglyphics; and the extraordinary River Nile is among the splendid
and wonders of antiquity of Africa and the world.

Notwithstanding the colonialism of Africa by the European countries, this essentially made the indigenous people of Africa to wake up and realize to come
together and unite. In fact largely, the white intruders during colonialism
were soberly creating unpleasant situation in Africa. From all
corners of Africa white imperialists were chaotic and caused
mayhem and with their advanced weapons they were able to overwhelm
and subjugate Africans under their authority.

One should remember that before the arrival of whites in Africa the Africans were
comprehensively aware about their basic needs as human beings. During
the launching of Organisations of African Unity the forerunner of
African Union in 1963 in Addis Ababa on the 25 of May Emperor Hail
Selassie said: “We seek, at this meeting, to determine whether we are
going and to chart the course of our destiny. It is no less important
that we know whence we came. An awareness of our past is essential to
the establishment of our personality and our identity as Africans.
This world was not created piecemeal. Africa was born no later and no
earlier than any other geographical area on this globe. Africans, no
more and no less than other men, possess all human attributes, talents
and deficiencies, virtues and faults. Thousands of years ago,
civilizations flourished in Africa which suffers not at all by
comparison with those of other continents. In those centuries,
Africans were politically free and economically independent. Their
social patterns were their own and their cultures truly indigenous.
The obscurity which enshrouds the centuries which elapsed between
those earliest days and the rediscovery of Africa are being gradually
dispersed. What is certain is that during those long years Africans
were born, lived and died. Men on other parts of this Earth occupied
themselves with their own concerns and, in their conceit, proclaimed
that the world began and ended at their horizons. All unknown to them,
Africa developed in its own pattern, growing in its own life and, in
the nineteenth century, finally re-emerged into the world's
consciousness.”

Colonialism ultimately propelled Africans to unite in 1963. Moreover for the first time in history after the emergence of great modern African thinkers such as Edward Wilmot Blyden, Henry Sylvester William, Marcus Garvey and W.E.B Dubois asserted that unity of the Africans is only the best solution for their plight of colonialism.
Necessarily their thinking was realized and it remains a burnished, living dream,
Now we expect our current leaders to advance their vision.

This noble Pan African Fathers were utterly conscious about the social life of the Africans and they were familiar with the diverse societies of Africa. It is a well known fact that when our Fathers gathered in Addis Ababa in Ethiopia to form a unitary body of Africa they were diverse and even today that diversity is yet persisting. Africa has different cultures, different religions and various languages. Like Emperor Hail Selassie said: ‘’their social patterns were their own and their cultures truly indigenous.

Therefore we are now looking to our current African leaders to lead us
in a way that is excellent and promising. As the former president of
South Africa Thabo Mbeki in 2003 said ‘’We suffer hardships in our
Continent, most notably, poverty and conflict. We need to address
these challenges with dedication and commitment, and recognise that
these hardships extend beyond the original, political mandate of the
OAU. For this reason we have transformed the Organization of African
Unity into the African Union in order to deal with the socio-economic
development of the continent in tandem with the need to build
political stability.” Imperatively enough is conspicuous from what
Thabo Mbeki has said that Africa is faced with serious challenges that
need the AU to address.

It is obvious that African Union recently has become fragile as the
results of its unwillingness to be decisive to resolve continental
crisis. Apparently in the highly contested position of the
chairperson of the commission of AU where Sir Jean Ping won with a
slight margin against Nkosazana Dlamini Zuma one could witness that
AU is in dilemma. Many reporters gave information about the two
candidates and it was reported that that Sir Jean Ping and other
Francophone countries were concerned about the link with France. If
then is correct that Sir Ping has the interests of France than that of
Africa our continent is in deep crisis. AU was entrenched under
difficult circumstances when terror and suppression was hindrance and
threat for the subsistence of the Africans. Africans must watch with
the careful understanding the convoluted business of AU, as now we saw another
struggle in African continent. It has become complicated for Africa to
solve its problems. Leaders of Africa are often subjected to the Hague
international criminal court. Africa is suffering from within, as in
the last year’s spring uprising in Maghreb which began in Tunisia, Egypt
and culminated in Libya. In the case of Libya we saw how South Africa
essentially concurred with United Nation Security Council under the UN resolution 73
which culminated in the assassination of the Libyan Brother leader
Muammar Gaddafi. I agree with Thabo Mbeki in his recent Stellenbosch speech when he referred to the situation in Libya and Iraq as false information fabricated by the west.

For AU to achieve its mission and objective in the midst of economic
crisis of euro zone it needs not to be a press statement body that only
condemns any action that is against the rule of law of the Union.
Specifically, it must increase its peace keeping mission and
consolidate its security council and concurrently act decisively
against those who contravene its rules. Africa now is faced with huge
societal problems such as xenophobia, terrorism and undemocratic
states. Surprisingly one read in a Sunday paper (authored by Maite Nkoana-Mashabana) that the UN must take the AU serious, in the same letter, she alluded
how resolution 73 was ill transcribed by the North Atlantic Treaty. AU
must not expect the west to act on their behalf as it happened in
Libya; Africans should not seek any favour from someone it must take
charge of its own continental affairs.

It is indeed disturbing to hear, read and learn about the heinous atrocities
committed by the Africans against Africans. It can’t be that at this
current time when the world is advancing in technology and other
marvels of our electronic world that Africans resort to war against
themselves. Imagine a child who is born and grows up in Africa today
- will he ever wish to stay in Africa? African Union needs to be a strong
body that is determined to advance Africa’s cause in the family of the
nations. We should be ashamed of ourselves if we will allow our
conscience to mislead us to be the monsters against Africa.

Fundamentally, ordinary people of Africa should be informed about the
progress of African Union, they need to be involved in reshaping Africa
that must be great among the family of sundry nations. When Alshabab of
Somalia attacked innocent people in Uganda who were watching World
Cup soccer tournament in South African 2010. The African Union acted
immediately and AU troops were sent to Somalia. Such was a great move
but now it seems AU is losing the focus, and unnecessary things that
jeopardize the unity of Africa are happening and no action is
taken.

For example, we should blatantly denounce what is happening in Nigeria
today, Boko Haram is attacking Christian churches for nothing, unleashing horror and unbridled violence. The struggle to free Africa from colonial bondage was both fought by the Christian and Muslim, then why are we undermining what our Fathers fought for? We must always learn to defend and preserve the legacy of the African Union as Africans and know how to remember people such as Kwame Nkrumah, Gamel Abdel Nasser, Haille Selassie, Mmandi Azikiwe, Sekou Toure, Modibo Keita, Kenneth Kaunda, Mwalimu Julius Nyerere, Augostino Neto, Samora Machel, Amilcar Cabral, Albert Luthuli, Oliver Tambo, Walter Sisulu, Nelson Mandela and many others.

* Mr Soqaga is an eminent essayist, critic and writer based in Bloemfontein

PULE LECHESA'S NEW BOOK!

(Above) Copy of Pule Lechesa's latest book

Pule Lechesa, the renowned Free State literary critic and essayist - whose work is well known internationally - will soon be launching his new book. As can be expected, the work is a Cornucopia and celebration of Free State Black Writing; a breath-taking journey straddling the literary work of major Free State writers over the years. This is a work not to be missed! No true afficionado of literature can afford not to have a copy... watch this space for more details!

TEBOGO AND THE BACCHAE

...another unusual title

Book: Tebogo and the Bacchae
Author: Omoseye Bolaji
Publisher: Eselby Jnr Publications
Book lay-out (including cover) by Godmore Jnr (Godfrey) Mofokeng
ISBN: 978 - 0 - 620 - 52543 - 5

An argument can be made that the last four adventures of Tebogo (all written within the last four years or so) have been characterised by a simpler language, whilst the titles have become more difficult or unusual.

This started with Tebogo and the Haka (2008). Not only Rugby lovers relished this work, which many believe is the most accomplished volume of the Tebogo Mokoena Mystery series. But the title endeared the book to many others.

Tebogo and the epithalamion (2009) followed, and even fewer people could state with confidence what the “epithalamion” meant, or what it was all about. The story was weaved around the disappearance of a young lady, and was not at all gory.

The unusual titles seemed to reach a peak with Tebogo and the pantophagist (2010)... a really unusual title. Here inter alia, we are subtly exhorted to remember, and be grateful to the great selfless scientists who over the centuries, and decades contributed little by little to the marvels of our modern world - which we now all take for granted.

For followers of the Tebogo Mystery series, many wondered whether the author would again revel in another unusual title in the next adventure; if there was another adventure after Tebogo and the pantophagist!

Yet that is exactly what Bolaji has done in this new adventure, Tebogo and the Bacchae (2012) . Yet integrating such titles into the twists and turns of these works at grassroots level seems quite simple, almost effortless for the author.

This time around “Biggie” (remember him from Tebogo and the epithalamion?) is the one who explains what the Bacchae is all about in simplistic fashion:

Biggie began to explain: “The Bacchae is an old Greek (Athenian) tragedy, famously written by Euripides. It is about King Pentheus of Thebes and his mother. They were ruthlessly punished by Dionysus - a god - for refusing to worship him.

“Pentheus died a terrible death. Earlier, he foolishly locked Dionysus up - who escaped rather easily since he was a deity! Pentheus, dressed like a woman, found himself atop a tree. The Bacchants, women, grabbed unfortunate Pentheus and ripped him apart piece by piece!...

“And there is the horrific image of Pentheus’ own mother, Agave ripping off her own son’s head unknowingly, and initially proud of what she’s done....
(From the Chapter “Biggie” in Tebogo and the Bacchae, 2012)

Really, this is a good read, never mind the title!

- Courtesy Phoenix Literary Club

TRIBALISM - AFRICA'S CURSE

By Charles Matorera (above)

It was late around eleven at night, and I was coming from the Corner Studio where I was busy trying to record my debut musical album.

I arrived at the taxi rank of Luveve and Gwabalanda. There was only one taxi loading, probably the last one. Like in Johannesburg, taxis in Bulawayo fill up from the back seat. It was an eighteen-seater Toyota Hiace because it sat four people in every row and two front passengers. The conductor who sat anywhere behind the front passenger seat was the nineteenth passenger, as it were.

The back seat was full, so was the second. I was the first to sit on the third seat from the back, which was also the third from the front seat.

I went and sat next to the far right window opposite the combi’s sliding door. Soon after I took my seat, in came two guys of about my age; mid twenties, both of them tall and slim with dreadlocks. They looked like brothers.

Something about them drew my attention. Was it their similarity in appearance? No, I quickly figured out that it was the odd smell of tobacco, they were smoking! I hate smoke as much as a Muslim is reputed to hate pork. I was angry, how could these guys come smoking in a confined place like a combi? I knew if I was in Harare I could have raised hell, but here I was in a new town where a strange language was spoken so I kept my cool and tried to inform them politely. I tried to muster my best Ndebele as I had learnt on the national radio. I said to the guy next to me who was now pulling the cigarette “Eh mfowethu phela mina angizwani nogwayi” (My brother, I do not go along with smoke).

He quickly saw that I was a Shona, from such a little statement. I could see by the way his eyes brightened; then he blew all the smoke from his lungs to my face saying: “Eh mkoma seyi phelile phela!” using the Shona word for big brother mockingly (It’s almost finished); showing me the cigarette which was only half finished.

With the cloud of smoke on my face I realized that he would blow smoke on my face until he finished it. I moved my right hand fast and pulled out the cigarette from his fingers and threw it out of the window very fast. He shouted angrily, informing his friend who was sitting next to him on the other side.

All this time, people were filing in and in no time the taxi was full and moving. We passed Jairos Jiri Centre of the Disabled whilst the two guys were trying to beating me and I was hitting the guy next to me with my left elbow. You know how crammed the full taxis of Africa are. There was not much space to fight anyone, but we were noisily pushing and pulling each other. A guy further from me was able to tower over his friend and beat me with sharp short claps on my forehead, swearing "You Shonas were killing us in the Gukurahundi war!" He was talking about a war which took place when I was six years old.

The taxi driver suddenly stopped the car and shouted: “Ngubani uba ngumsindo?” (Who is making noise?).

The guys were quick as I was very slow to respond because I had to translate the message and then translate the answer before I answered.

Those other guys quickly said: “Ngulo umkhoba lo o’lahlile ugwayi bethu!" (It’s this possessed guy who throw away our cigarette) The other one shouted: "A full packet of ten cigarettes!" Before I even responded the driver shouted: “He must get out now!”
The conductor quickly opened the sliding door, vacating his sitting possession to give room to my exit. Those two guys were also supposed to get out, opening passage for my exit.

My mind was pondering my situation because here we were in an open space near a railway flyover between Nguboyenja and mMpopoma suburbs. The magnificent Bouborfields stadium looming to our North. The previous day, when my cousin Madlamini took me for an orientation journey she had specifically pointed out this open space as one of the very dangerous robbery spots, with some victims being found stabbed to death in the morning.

I was very weak, powerless and gripped with self-blame. I stood up slowly. Some people pushed me from behind, shouting: “It’s very late, we want to go and rest; get out!” But a woman sitting on the far right shouted in deep Ndebele: "How can you leave this guy here? He was fighting for the health of all of us!" Unfortunately she was the only person on my side, and being a woman none could listen to her.

The driver who was very big in structure and dark in complexion stared at me with a steady gaze; then I detected a tremor on his eyes. I looked at myself and realized that I was wearing a police T-shirt inside my bomber jacket. The badge of Zimbabwe Republic – Police (ZRP) was clearly emblazoned on my chest. I had forgotten that in the afternoon I had visited my old school mate who was now a police officer residing at Rose Camp, in downtown Bulawayo. He liked my blue and white rugby jersey which I brought from South Africa. He liked it because the Blue Bulls colours were the same as Zimbabwe’s Dynamos Football club, so we had exchanged and he gave me this marathon T-shirt of the police which bore regional marks of Matebeland North.

I quickly realised that I was supposed to be a police officer right now or face the merciless knife-wielding robbers out there. I shouted in a deep terrifying Shona voice: “Hoo nhai! This is what you are doing here in Bulawayo, tribalism? Now you are going to face hell. Driver, turn the vehicle back to the Charge Office." I commanded. “No Shefu, isu tinoshanda zvakanaka namapolisa!” (We have a good working relationship with the police) said the driver. I was very much aware that the situation in Zimbabwe had deteriorated to the extent that it could even be dubbed a police state.

He shouted for the conductor to jump inside and in milliseconds the taxi was back on the road, but proceeding towards Luveve. “I was meaning those tsotsies that they must get out. In this taxi no police officer pays even if he is not in uniform”! The driver continued in accented Shona. He ordered his conductor to give me back my taxi fare.

Then someone from behind grabbed my shoulder and said: “Thank you guys, if it wasn’t for you Shona Police Officers we could all be dead here in Bulawayo. There is too much tribalism.” Then there were many voices agreeing also in Shona. "So where do you come from?" I asked him. "Masvingo sir, Chief Gutu area." he answered jovially. Then the other from the backseat shouted “I come from Rusape !” And there were others shouting Shona places: “MtDarwin, Mtoko, Guruve”

I was now angry. I asked loudly - for the whole combi to hear, saying: “Shonas, how many are you?” After a careful count, eleven were Shonas which means they were the majority even here. I said: "Now some of you back there, you were pushing me to get out. You are the majority here but you never tried to help me. Why can’t you stand up for what is right? You know that smoking in public, mostly in a public transport is not only a crime but a health hazard but you chose to be quiet and carry the story to other Shonas telling of how tribalism is still rife here in Bulawayo; but you have the power to help end it but you do not employ it. You are a disgrace to this country!"

I looked out of the window and realised that I had let my anger carry me again. The taxi was now passing a school in Lobengela West which was my geographical landmark. I told the driver to stop, he tried to insist that he would leave me at the door but I refused. Maybe if I was a real police officer I could have agreed. I thanked the Ndebele lady who tried to help me and went out of the combi planning to pack my bags and leave for Harare the following morning.

Epilogue

The following morning I sat with my aunt MaMoyo in her dining room. After listening to my story, she said: "Do you remember the old African proverb 'travelling is seeing'?" I nodded, "My nephew you will only know about other people when you go to their places. Ask yourself how many Ndebeles are treated like that in Shona speaking areas, or how many ugly names are given to people from Malawi in Harare? Think of the Vendas in Sotho areas, Kalangas in Tonga areas and so forth. The only people who are safe from tribal remarks are those who grow up in the same land where they were born and die there for they will be ignorant to other languages and cultures and they are usually the perpetrators of xenophobic crimes," I sat there in the old house pondering her powerful words. I decided against leaving Bulawayo; maybe I had to learn more about the local ways and customs. I watched my aunt's grandchildren who were preparing to go to school. They knew no other language other than Ndebele, no other city other than Bulawayo, I thought of the world waiting for them…

* Charles Matorera is a Free State based Zimbabwean writer